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Tina Barney PDF Print E-mail
Written by Rachel Milbauer   
Monday, 28 June 2010 23:52

Tina Barney began photographing in the 1980's, making large color prints of affluent New York and New England families; largely the community she was apart of. Some of her images come across as candid moments while other poses feel more directed, but all seem like a commentary (if not a criticism) of the lifestyle and attitude of the elite. The lavish settings and well-dressed subjects give way to images that carry the detached, aloof, and somewhat important air of the privileged.

 

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Last Updated on Monday, 28 June 2010 00:15
 
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Michael Ackerman PDF Print E-mail
Written by Rachel Milbauer   
Friday, 25 June 2010 21:09

In 1999, Michael Ackerman published "End Time City". The book's title refers to the cremation ground that people travel all over India to reach. The grainy, black and white images produced are full of energy and emotion; each hold their own telling moment.

 

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Last Updated on Thursday, 24 June 2010 21:26
 
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Levi Mandel PDF Print E-mail
Written by Rachel Milbauer   
Thursday, 24 June 2010 12:00

b. Seattle, Washington
c. Brooklyn, New York

+ Enjoys kittens, shape-shifting and nostalgia.
+ Worked briefly under the alias Atticus Jackson.

(information from website:http://www.levimandel.com/hi.html)

 

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Last Updated on Thursday, 24 June 2010 21:25
 
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Emma Hardy PDF Print E-mail
Written by Rachel Milbauer   
Wednesday, 16 June 2010 12:00

http://www.emmahardy.com/

 

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Last Updated on Friday, 11 June 2010 20:25
 
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Ori Gersht PDF Print E-mail
Written by Rachel Milbauer   
Tuesday, 15 June 2010 12:00

"Despite the formal association with abstract expressionist and minimalist paintings these images are constituted in reality, small clues and evidence direct and orientated the viewers, providing them with a reassuring sense of familiar gravity. The series call into question our familiarity with our own natural habitat, pointing out the gulf between the sky that we believe we know and that of the photographs, a gap between the mechanical, attentive and unassumptive vision of the camera, and the presumptive and subjective vision of the human eye."--from Artist's Statement

Visit:http://www.crggallery.com/artists/ori-gersht/

 

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Last Updated on Friday, 11 June 2010 19:48
 
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